RED CINEMA CAMERA DSMC2 DRAGON-X 6K
Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with DRAGON-X 6K S35 Sensor is part of RED's unified DSMC2 lineup. Nearly limitless lens options are available for the DSMC2 system. While this camera requires a separately available lens mount, DSMC lens mounts themselves are offered in different varieties for compatibility with a wide array of lens systems.
REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding; though if you prefer, you can record to ProRes or DNx as well. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider- or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.
Firmware 7.3.0
With the advent of firmware 7.3.0, the DRAGON-X sensor becomes a 6K sensor with a resolution of 6144 x 3160 that can shoot at up to 75 fps. If your camera does not have Firmware 7.3.0 or later, you can download it from RED Digital Cinema.
DRAGON-X 6K S35 Sensor
The DRAGON-X 6K Super 35mm sensor is a 19.4MP CMOS sensor that features a dynamic range of 16.5+ stops and a resolution of 6144 x 3160.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.
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